April 8, 2012
“It was clear from the beginning that this wasn’t going to be an ordinary shoot,” said Lara Logan said. She and her team were just finishing up the final edit of this week’s 60 Minutes story on polo, when we managed to sneak her into the Overtime studio to ask her about the magnificent footage of polo ponies in her piece. How did the team get those shots? Where were the cameras positioned? How did they manage to get those gorgeous slow-motion shots, we wondered.